S.P.A.C.E. is next weekend

Last year was my first SPACE show as an exhibitor, and I had an absolute blast.  The ticket price is very low compared to other shows ($5 day/$8 weekend) and is great way to meet some of the local/regional artists.

Also, if you’ve ever thought about dipping your toe in the water of comic creation, there are panels all weekend, so you can pick the brains of indie artists/writers while you’re at the show.

The main exhibitor room is huge, and looks to be completely booked based on the map, so there’s plenty to look at while you’re there (including your’s truly back at table 74-75).

Plus, we’ll be planning some after-hours activities for Saturday night (a brother’s gotta eat after a long day).

Hope you can make it out.  It’s a fantastic show, and a great one to bring the kids too.

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What I learned at Lexington Comic Con

I must say, the Lexington Comic & Toy Convention completely blew away my expectations.  Since it was a first year show, I didn’t plan on it being anywhere near how huge it turned out to be.  According to one of their local papers, there were 4000 visitors to the show, and from how my back and feet felt afterwards, I think they hit that number easily.  Everyone at the show was very friendly, and they had some of the best staff ever!

So what did I take away from the show, other than a brutal production schedule between now and SPACE since they cleaned me out of inventory?  Well, it wouldn’t be a complete success if I didn’t learn something while I was there.

  • When you’ve reached that point where you think “phew, now I’ve got enough stuff to sell”, you didn’t make enough of at least one thing.  There’s always going to be something that’s bigger than you thought.
  • If you’re going to give away suckers at your booth, I’m going to hunt you down and flick you on the ear.  Wanna know why?  I bet you think it’s a good way to get people to stop at your booth, and while I’m sure that’s true, do you know who ends up eating the suckers?  Kids.  Know what happens to kids when they eat suckers?  Their hands get sticky.  Do you know what kids like to touch?  EVERYTHING!  Maybe instead of flicking you on the ear, I’ll just bring by some of my merchandise that’s been covered in gooey sugary kid spit and stick it in your hair.  That’ll get people to stop too.  Seriously though, there’s nothing wrong with Jolly Ranchers.
  • Map out all the bathrooms before it gets busy.
  • If you dress for the weather, it’ll be too hot at the show.  If you dress for the hot show, it’ll turn out to be cold in the show.  Solution: either layers, or keep that Baby New Year sash close by in case you have to strip down to the skivvies.  Then you can just tell people you’re in costume.
  • I’ve said it before and I’ll say it again…keep records of everything!  Sure, I’ve got a ton of work ahead of me replicating what sold before the next show, but I know exactly how many I need of each, and when they sold out, so I can make a few extras just in case.  Anything that I still have that sold zero pieces, I know the pricing needs tweaked.
  • Do you have a Square?  Freekin’ get one.  Now.
  • Talk to the people across from you before it gets busy.  You’re going to be staring at them all day, might as well put a name with the face.
  • Reminder to myself, get bags.  I know, I’ve been against it, but that seems to be a common question.  That and “did you make all these yourself?”  To which I respond “hell no, but if I let the little Vietnamese kids out of the sweatshop in my basement to run a booth, chances are really good they’re not coming back”.
  • Figure out a polite way to say “that’s interesting, but I really should be working right now” to the table lampreys.  They’re at every show (and every comic book and video game store I’ve worked in), it’s a fact of life.  Just learn to deal with them nicely so they don’t come back and glitter-bomb you.
  • People walking down the middle of the aisle don’t want to be engaged, leave ‘em be.

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The 8-Bit Esh Cover Project

This weekend at the Lexington Comic and Toy Convention I’ll be premiering my latest concept, the pointillist comic book covers!

Each cover is approximately 4″x6″ and comprised of approximately 2100 Hama mini beads.  These will be available as commissions (they’re too time consuming to make a ton of them) for $45 each.  Since the little plastic frames don’t ship well, I’ll just ship the piece itself, but anyone in town or picking one up at a show will get a small clear frame to go with it.

Diving into the project, I didn’t know how they’d turn out.  2100 beads may seem like a lot, but not when converting over something as detailed as a comic cover.  Working up close they didn’t make sense…I had to set an area and get about six feet away before the picture would come into focus.  Even now I have to back away from them for the picture to come alive.  So far though, I like the results.  The golden age Action and Fantastic Four covers are really cool looking, and I’m looking forward to more projects!

Not only will I do mainstream titles, but I am very excited about doing some indie stuff as well.  So, if you’ve got the extra scratch and you’ve always wondered what your comic would look like as a tiny impressionistic painting, shoot me an email!

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Latest piece – Sherilyn Fenn

Sherilyn Fenn

Just pulled my latest piece from under the iron – Sherilyn Fenn in Hama mini beads.

Final size was 50×46 beads, roughly 4.5″x4.75″.  After the ironing debacle with Van Gogh I decided I should try smaller pieces when using the mini hama.

The smaller beads iron like a dream if you can maintain constant heat.  This piece was wider than the iron, but with constant pressure and sweeping movements it melted evenly, and no beads went rogue.

So the lesson here is, I can pull off smaller photos with the Hama mini beads as long as I’m not trying to go full portrait size.

Next on the schedule is finalizing the inventory for Lexington, which is a mere week and a half away.

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No Wizard World Columbus for me

Wizard World Columbus (Mid-Ohio Con) was one of my best shows last year.  I had an absolute blast, I met a lot of great people, and sold quite a few pieces.  However, it was also the most expensive show of the year for me.

Even so, my brothers-in-con, the fine gentlemen from Yuri, and I determined before we were even packed up that Sunday night after the show that we were coming back next year.  Heck, we even decided to bump up from two tables to a full booth!

That, however, was before Wizard World (Mid-Ohio Con) decided the best way to get out of bankruptcy is to shaft your customers.

Now granted, the information we received was from their sales/customer service department, which isn’t always the last bastion of fact for any company.  However, the fact still remains, the prices for all tables and booths was increased 50% over last year.  50%!

The reasoning behind this according to their sales/customer service is simple.  See, the parent company of Wizard World (Mid-Ohio Con) is in bankruptcy.  And as every company knows, the best way to survive a bankruptcy is to can your staff and do the work yourselves.  It can happen!  Once the braintrust over at Wizard World determined that by golly, that’s a whole lot of work to do, they hired back some of the staff. But jeez, those guys don’t work for free, so they had to pay for their salaries somehow.  Ergo, the prices for tables and booths at Wizard World Columbus (Mid-Ohio Con) were increased 50%.  Makes perfect sense!

This means that the artist alley tables (which were smaller than advertised last year, by the way) go from $200 to $300 for a 2 day show.  So your denizens of the artist alley, which typically are independent artists/writers trying to get a break, are paying $150 per day for their 6′ x less than the 1′ advertised space.  The show is open 16 hours over the weekend, so your artist alley up-and-comer is paying $18.75 per hour for their table (I’m not even going to take into account the costume contest, which clears the floor for about an hour, let’s be fair here).

Not including parking ($20) for the weekend and food, to break even, every artist on the floor needs to sell $18.75 worth of product every hour the show is open.  That’s to pay for the table, nothing else.  Let’s say young Joe Artist is doing sketches while you wait, for a mere $10 each.  If he can do a whole sketch every half hour for the 16 hours the show’s open, he’ll leave the show with $20 in his pocket.  Oh wait, let’s go back for a minute to the beginning of the paragraph.  He had to park downtown all weekend.  There went his $20!

I’m not going to fault Wizard World for doing what they think they need to do to survive these troubled times.  It’s a free market, and that’s the beauty of our system…they can charge whatever they want for their product.

Here’s another beautiful part of our free market system Wizard World, you have competition.  And the $600 that you want for a booth for 16 hours isn’t going to you, it’s going to be spent on your competition (which gets me, as a customer, a whole hell of a lot more than 16 hours for what it’s worth).

In the end, you’ll probably sell out of tables, and there’ll be a line to get in Saturday morning, full of comic fans ready to hand you their hard earned money to see their heroes.  I’ll be home that weekend though, getting ready for a different show in a different town that’s not run by you.  You had a great product at a high price, but for this customer, you priced yourself so far above your competition you swallowed up what little return on investment I had at your shows.

I wish you luck and hope that you have a string of successful shows.  I for one will not be attending, and I cannot, for the prices you charge, recommend you over your competition to anyone.

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